![In The Garden In The Garden](https://helluvatimesblog.wordpress.com/wp-content/uploads/2024/06/in-the-garden-2.jpg?w=640)
The sky in the original capture was mostly a white sheet. In post, the lower landscape was assigned to a new layer before the sky was darkened. The lake was also correspondingly darkened.
The sky in the original capture was mostly a white sheet. In post, the lower landscape was assigned to a new layer before the sky was darkened. The lake was also correspondingly darkened.
No exposure compensation was used during the capture. Highlights were however brightened further in post. Yellows were then toned down a little.
This was actually a composite of two images, one of the battle tank and the other of a sunset scene.
When photographing trees, I would usually expose for the trunks as they seem to be the more conspicuous elements in the whole composition. And I would also often set the trunks as the focal points or converging lines in the frame as in this image.
Taken at 16mm equivalent focal length for its convergence effect and tilted for a more dynamic composition. In post, blues were saturated some 50 percent to make the pale blue sky a little bluer.
The camera was held on level with the grille and tilted for a little dramatic effect.
The image here looks a little flat. I was actually trying to mitigate the effect of the harsh sun by tweaking the shadows and mid-tones in post and probably overdid something.
This was captured at the equivalent focal length of 16mm.
This was taken handheld. At ISO 400, I had gotten a comfortable 1/60-second shutter speed. However, exposing for the lanterns, the surroundings had come out completely dark. Brightening this up in post, I was penalized with a noise level of some 38 that had need to be fixed.
This chrysanthemum seemed to be named after the cruel lady character in the ‘101Dalmatians’ movie.
The image was captured at the equivalent focal length of 16mm with the camera held close to the nearest mum.
… in search of a glorious morning.
This was taken handheld as I wasn’t carrying a tripod at the time. To keep sky highlights, this was underexposed 1-2/3 stops. That had also kept the ISO at 125. Shadows were then lifted up a bit during raw conversion.